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"Peony Pavilion"/Confucianism & Daoism
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A 4 page research paper/essay that analyzes The Peony Pavilion, a 400-year-old masterpiece in the style of Chinese Kunju opera, China's oldest surviving theatrical style. Written in the late sixteenth century by Tang Xianzu (1550-1617), this work demonstrates how both Confucianism and Daoism had become intertwined in the fabric of Chinese culture. The writer discusses how the focus on issues of respect and ritual derive directly from Confucianism. Such issues are extremely significant to the male characters. The women in the opera, however, express a more Daoist view of life. Examination of this work demonstrates that both philosophies co-existed in sixteenth century Chinese culture. Bibliography lists 3 sources.
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Pages:
4
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Filename:D0_khppcd.rtf |
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Paper Title:
"Peony Pavilion"/Confucianism & Daoism
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