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1920s’ Berlin, German Expressionism, and the Architecture and Lighting in Orson Welles’ Film The Trial
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In eight pages this paper examines how Welles’ utilized architecture and lighting in his 1962 film The Trial to communicate what was happening in Berlin and the rest of Germany during the 1920s, with German Expressionism among the topics of discussion. Four sources are listed in the bibliography.
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Pages:
8
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Filename:TG15_TGowtrial.rtf |
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Paper Title:
1920s’ Berlin, German Expressionism, and the Architecture and Lighting in Orson Welles’ Film The Trial
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