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Bergman’s “The Seventh Seal” as Play, Screenplay, Film
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A five page paper looking at the way the concept for Ingmar Bergman’s classic film grew from a series of monologues originally envisioned as a training vehicle for a children’s acting class to one of the most haunting philosophical films ever made. The paper focuses on the way Bergman used the personification of Death -- not present in the original play -- to illuminate the meaning of human life on earth. Bibliography lists one source.
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Pages:
5
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Filename:D0_KBseal.wps |
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Paper Title:
Bergman’s “The Seventh Seal” as Play, Screenplay, Film
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