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Caravaggio's Conversion Of Saint Paul
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At the beginning of the
seventeenth century, the artist, Michelangelo Merisi (called
Caravaggio), began to paint in a manner that was at once new and
exciting as well as echoing the best of the Renaissance Masters who had
come before. This 20 page paper argues that the use of light and
shadow, specifically in the painting, The Conversion Of Saint Paul, is
both a dramatic iconographic technique and a reflection of the baroque
period characteristic that was such an integral component to
Caravaggio's personal style. Bibliography lists 13 sources.
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Pages:
20
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Filename:D0_KTconvpl.wps |
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Paper Title:
Caravaggio's Conversion Of Saint Paul
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