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China's Left-Wing Writers
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7 pages in length. The left-wing writings of Mao Dun's "Spring Silkworms," Lao She's "A Hired Wife," Ye Zi's "Harvest," Ba Jin's "A Moonlit Night" and Shen Congwen's "The Husband" all reflect different approaches to the same conclusion: defining the rural problems in China throughout the 1920s and 1930s. Clearly, the problems were both grand and far-reaching, with solutions so extreme that it was not only politically incorrect for the authors to suggest any, but that was the very reason they did so within the safety of their literary worlds. Correspondingly, one cannot easily ignore the blatant bias projected from the sometimes angered authors, whose primary objectives are to present a politically, socially and economically volatile concern to the very foreground of public consciousness, even if these selective biases serve to sometimes limit the use of said documents as primary sources. Bibliography lists 6 sources.
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Pages:
7
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Filename:LM1_TLCLftWg.rtf |
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Paper Title:
China's Left-Wing Writers
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