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Cindy Sherman's Film Stills 1977 - 1980 and Identity
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This 4 page paper examines Cindy Sherman's collection of Untitled Film Stills 1977 - 1980, looking at their content and context, examining their message in terms of individual and group female identity. Reference is made to both identity theory and social identify theory and concepts such as self categorizing and identification of images as well as the way that they challenge stereotypes. The bibliography cites 8 sources.
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Pages:
4
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Filename:TS65_TEsherman.doc |
Paper Title:
Cindy Sherman's Film Stills 1977 - 1980 and Identity
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