Female Spectatorship

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Female Spectatorship

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5 pages in length. The overwhelming sense of maleness within the early film industry lends itself to the notion of female spectatorship. That men were in complete control of how a film was shot – from the camera angle and perspective to the most subtle nuances pertaining to blocking, dialogue and story line – speaks volumes regarding the intended masculine viewpoint manifested in these productions. Such films as Psycho, Rebecca and All About My Mother clearly portray the overtly masculine perspective, while at the same time only appear to project to the female spectator. This clever masquerade is what has motivated such precedence-setting authors as Laura Mulvey and Betty Friedan to take issue with the manner by which the issue of female spectatorship has been addressed. Bibliography lists 4 sources.

Pages: 5

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Paper Title: Female Spectatorship

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