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Forms of the Cinematic Gaze and the Psychological Relationship of Power: Spectator vs. Object
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A 42 page paper which examines the claim of film historians and critics alike that there is a paradigm in the process of film viewing that implies the superior viewer (subject) vs. the object of looking (film) and how the spectator positioning and looking relations in two feminist films, Laura Mulvey and Peter Wollen’s Amy! (1980) and Michelle Citron’s Daughter Rite (1978) destroy this paradigm of looking and how this is achieved. Bibliography lists 13 sources.
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Pages:
42
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Filename:TG15_TGgazecin.rtf |
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Paper Title:
Forms of the Cinematic Gaze and the Psychological Relationship of Power: Spectator vs. Object
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