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John Grisham's "The Client" and Mario Puzo's "The Godfather Part I"
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10 pages in length. The lure of the good life, as enhanced by drugs, prostitution and easy money, is a prominent Italian Mafia theme between John Grisham's The Client and Mario Puzo's The Godfather Part I. In the typical one-for-all, all-for-none mentality of a world gone bad, both of these literary projects casts a visual image of the
Italian Mafia that fosters all the illustrious wrongdoing made possible by a group of streetwise gangsters. There is virtually no prejudice left untapped, no symbolism left untouched and no stereotype left unadulterated when the Italian Mafia is represented The Godfather Part I and The
Client. All that one can expect from such a collection of malcontents is just what one receives: the quest for fortune though illegal avenues. The Godfather Part I was a particularly intriguing story by the way it illustrated a complete lack of conscience: Killing, maiming, thieving and lying were touted as being the manner by which to lead one's life in the Italian Mafia, because that is what will get one the finer things in life. Indeed, it became clear early on in Puzo's saga that part and parcel to the Italian Mafia's composition is constantly being on the make, going through the proverbial back door in their obsessive pursuit of the American Dream. No additional sources cited.
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Pages:
10
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Filename:LM1_TLCgdfth.doc |
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Paper Title:
John Grisham's "The Client" and Mario Puzo's "The Godfather Part I"
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