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National Identity in 2 Chinese Films
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A 7 page research paper/essay that discusses 2 films in reference to Chinese national identity. Cinema has become one of the main means of societal discourse that expresses how people perceive and define themselves and their society. In other words, national cinemas contribute to the conceptualization of national identity and influence the way in which people perceive their place in the contemporary world, as well as their past. The following examination of this sociological phenomenon focuses on two Chinese films: “The Killer” (1989) directed by John Woo and “The Blue Kite” (1993) directed by Tian Zhangzhuang. The writer also discusses what critics say about the ways in which national cinemas are defined and perceived. Bibliography is incomplete and lists 7 sources.
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Pages:
7
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Filename:D0_kh2chmov.rtf |
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Paper Title:
National Identity in 2 Chinese Films
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