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Sociological Analysis of Paul Haggis’ Film Crash
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In five pages this paper presents an analysis of this 2004 Academy Award winning film, considering such topics as how the film categorizes people, how it makes its claim, its audience, humanitarian themes, personalization, and examines whether or not Crash can be regarded as a white supremacist film. Five sources are listed in the bibliography.
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Pages:
5
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Filename:TG15_TGcrashsoc.rtf |
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Paper Title:
Sociological Analysis of Paul Haggis’ Film Crash
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