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The Illusionist as Myth
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A 4 page essay in which the writer argues that there are numerous factors in director Neil Burger’s 2006 film The Illusionist that draw upon the classic archetypes of myth. First of all, the imagery of the film draws directly on the symbolism of myth, but also, and more prominently, the concept of two rivals who vie for the attention of the Goddess constitutes the film’s pivotal focus. Examination of this film demonstrates that, at its heart, is an ancient pattern that is played out in terms of turn-of-the twentieth century Vienna. Bibliography lists 3 sources.
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Pages:
4
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Filename:D0_khillmyt.rtf |
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Paper Title:
The Illusionist as Myth
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