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The Implications of the Shift from Analogue to Digital Photography: The Ideals of Originality, Truth and Authenticity
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This is a 4 page paper on the implications of the shift from analogue to digital photography. With the recent shift of analogue to digital photography, critics cannot help but wonder what the implications of this change will be in regards to the ideals of originality, truth and authenticity of the work. From a traditional viewpoint, Benjamin and others argued that art loses its authenticity and originality once it is mass reproduced because art and photography have an intrinsic link with time and space which relates to these two aspects. In addition to the fact that digital photography can be mass reproduced in an exact manner, it also lends itself to being altered and manipulated quite easily. While this may imply that all original components of the piece are lost forever, some graphic designers have recently expanded this component to create a new field to allow for original technical work which is considered reflective of modern society. While Baudrillard stated that the media has turned modern society into one which is devoid of authentic experience, some critics allow that digital technology may actually provide a further medium to create authentic and dynamic experience.
Bibliography lists 5 sources.
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Pages:
4
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Filename:D0_TJansft1.rtf |
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Paper Title:
The Implications of the Shift from Analogue to Digital Photography: The Ideals of Originality, Truth and Authenticity
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