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The Stunt Man / Directorial Elements & the Use of Camera Angel to Compliment the Protagonist's Discoveries
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'The Stunt Man,' the 1980 film version of Paul Brodeur's novel, directed by Richard Rush, uses different camera angels and the motion of the camera itself to provide support for the discoveries of the protagonist, Cameron. This film demonstrates the manipulation of camera shots and the effective the integration between the camera focus, angel, movement and even support lighting to provide emphasis for particular details as Cameron's perspective on the events that shape the film. This 5 page paper provides an outline of the use of the camera to support the progression of events and underscores the fast paced action as well as the protagonists insights. No additional sources cited.
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Pages:
5
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Filename:D0_StuntMan.wps |
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Paper Title:
The Stunt Man / Directorial Elements & the Use of Camera Angel to Compliment the Protagonist's Discoveries
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